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verified SJR 0,101 · Q4 • database Scopus / SJR & Web of Science indexed
African American Review
United States · Johns Hopkins University Pre...
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African American Review

African American Review is a journal indexed in SJR in Cultural Studies and Literature and Literary Theory with an H index of 19. It has an SJR impact factor of 0,101 and it has a best quartile of Q4. It has an SJR impact factor of 0,101.

ISSN: 1062-4783
Publisher: Johns Hopkins University Press
Category: Cultural Studies
Indexation: verifiedScopus / SJR verifiedWeb of Science
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schedule CountryOfPapers database fields
SJR Impact Factor trending_up
0,101 Q4
H-index 19
Acceptance rate pie_chart
44%
Source Acceptance_Rate
Time to publication hourglass_top
NPD
Field NPD
Publication cost (APC) payments
NPD Subscription
Non-OA path NPD

Metrics

Scimago and CountryOfPapers database fields

Scopus / SJR Web of Science

SJR Impact

0,101

H-index

19

Docs (year)

8

Docs 3y

63

Total refs

300

Cites 3y

8

Citable 3y

56

Cites/Doc 2y

0.07

Ref/Doc

37.5

Immediate OA

—

Embargoed OA

NPD

Non OA / Submission

—

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Best articles by citations

"Love Jones: A Black Male Feminist Critique of Chester Himes's ""If He Hollers Let Him Go"

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Unmaking the Male Body: The Politics of Masculinity in The Long Dream

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"Something Patterned, Wild, and Free"": Robert Hayden's Angles of Descent and the Democratic Unconscious"

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"Rootwork: Arthur Flowers, Zora Neale Hurston, and the ""Literary Hoodoo"" Tradition"

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"Representation, Race, and the ""Language"" of the Ineffable in Toni Morrison's Narrative"

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"Reading the Painterly Text: Clarence Major's ""The Slave Trade: View from the Middle Passage"

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"Re-Imagining Agency: Toni Morrison's ""Paradise"

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"Plunging (Outside of) History: Naming and Self-Possession in ""Invisible Man"

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"Performing ""Truth"": Black Speech Acts"

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"Pauline Hopkins's ""Of One Blood"", Africa, and the ""Darwinist Trap"

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"Mothers of Tomorrow"": The New Negro Renaissance and the Politics of Maternal Representation"

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"Mislike Me Not for My Complexion..."": Ira Aldridge in Whiteface"

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"Masquerade, Magic, and Carnival in Ralph Ellison's ""Invisible Man"

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"Bambara's Feisty Girls: Resistance Narratives in ""Gorilla, My Love"

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"Killing John Cabot and Publishing Black: Gwendolyn Brooks's ""Riot"

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"Keeping an ""Old Wound"" Alive: The Marrow of Tradition and the Legacy of Wilmington"

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"Illuminating the Darkened Corridors"": An Interview with Alexs Pate"

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"I'm not the Boy You Want"": Sexuality, ""Race,"" and Thwarted Revelation in Baldwin's Another Country"

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"Hybrid Embodiment and an Ethics of Masochism: Nella Larsen's ""Passing"" and Sherley Anne Williams's ""Dessa Rose"

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"Golden Gray and the Talking Book: Identity as a Site of Artful Construction in Toni Morrison's ""Jazz"

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"From the Seen to the Told"": The Construction of Subjectivity in Toni Morrison's ""Beloved"

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"Focusing on the Wrong Front: Historical Displacement, the Maginot Line, and ""The Bluest Eye"

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"Fluidity without Postmodernism: Michelle Cliff and the ""Tragic Mulatta"" Tradition"

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"Crossing Western Space, or the HooDoo Detective on the Boundary in Ishmael Reed's ""Mumbo Jumbo"

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