verified SJR 0,279 · Q1 • database Scopus / SJR & Web of Science indexed

United Kingdom · Cambridge University Press

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Organised Sound

Organised Sound is a journal indexed in SJR in Computer Science Applications and Music with an H index of 38. It has a price of 1626,56 €. It has an SJR impact factor of 0,279 and it has a best quartile of Q1. It has an SJR impact factor of 0,279.

ISSN: 1355-7718

Editorial: Cambridge University Press

Category: Computer Science Applications

Indexation: verifiedScopus / SJR verifiedWeb of Science

Unclaimed profile — some fields may be incomplete.

open_in_new Visitar Portal de la Editorial menu_book Guidelines NPD

schedule Datos CoP · solo campos en BD

SJR Impact Factor trending_up

0,279 Q1

H-index 38

Tasa de Aceptación pie_chart

36%

Fuente Acceptance_Rate

Tiempo a publicación hourglass_top

NPD

Campo Sin dato

Coste de Publicación (APC) payments

1.627 € Open Access

Ruta Non-OA 0 €

Metrics

Campos Scimago / CoP — sin series inventadas

Scopus / SJR Web of Science

SJR Impact

0,279

H-index

Docs (year)

Docs 3y

121

Total refs

1326

Cites 3y

Citable 3y

114

Cites/Doc 2y

0.65

Ref/Doc

39.0

Immediate OA

1626,56 €

Embargoed OA

NPD

Non OA / Submission

0 €

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Best articles by citations

Complex systems in composition and improvisation

Wounds like flowers opening: a discussion of Hysteria for trombone

Editorial

EDITORIAL

Displaced time: transcontextual references to time in Kaija Saariaho's Stilleben

Determinacy and indeterminacy

Desire and distance in Kaija Saariaho's Lonh

Daphne Oram: innovator, writer and composer

Conservation and restoration of electroacoustic musical instruments at the Musee de la Musique, Paris

Computer music in New South Wales

Compositional strategies of the hip-hop turntablist

Composing at the intersection of time and frequency

SHOW MORE ARTICLES

Composers' Desktop Project: a musical imperative

...and what they do as they're going ...': sounding space in the work of Alvin Lucier

Charm of Sound': something new in the Finnish contemporary music scene?

Bodies of evidence, singing cyborgs and other gender

Bernd Schulz (ed.), Felix Hess: Light as Air. Kehrer Verlag,

Atoms and errors: towards a history and aesthetics of microsound

An emerging digital community: the CD-ROM artists

An early case of algorithmic composition in Italy

An aesthetic comparison of rule-based and genetic algorithms for generating melodies

Algorithmic composition as a model of creativity

Adding video into the (real)time domain

Absolute pitch accessible to everyone by turning off part of the brain?

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