ISSN: 1355-7718

Journal Guideline

Organised Sound Q1 Unclaimed

Cambridge University Press United Kingdom

Unfortunately this journal has not been claimed yet. For this reason, some information may be unavailable.

Organised Sound is a journal indexed in SJR in Computer Science Applications and Music with an H index of 36. It has a price of 1626,56 €. It has an SJR impact factor of 0,237 and it has a best quartile of Q1. It has an SJR impact factor of 0,237.

Type: Journal

Type of Copyright:

Languages:

Open Access Policy: Open Choice

Type of publications:

Publication frecuency: -

Categories: Music (Q1) Computer Science Applications (Q4)

Price

1626,56 €

Inmediate OA

NPD

Embargoed OA

0 €

Non OA

Metrics

0,237

SJR Impact factor

36

H Index

45

Total Docs (Last Year)

119

Total Docs (3 years)

1954

Total Refs

59

Total Cites (3 years)

112

Citable Docs (3 years)

0.35

Cites/Doc (2 years)

43.42

Ref/Doc

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Aims and Scope

Best articles by citations

Simon Emmerson (ed.), Music, Electronic Media and Culture. Ashgate, Aldershot, 2000. ISBN 0-7546-0109-9 (hardback).

Conservation and restoration of electroacoustic musical instruments at the Musee de la Musique, Paris

Computer music in New South Wales

Martha Brech, Analyse elektroakustischer Musik mit Hilfe von Sonagrammen. Peter Lang, Frankfurt, 1994. 211 pp. ISBN 3-631-47427-X.

Electronic music and life

TAO: a physical modelling system and related issues

Project Arbol:Deer-B-Gone: journal of a guerrilla sound installation

Object-oriented music representation

Desire and distance in Kaija Saariaho's Lonh

GLOBULE of NON-STANDARD: an attempted clarification of globular identity politics in Japanese electronic 'sightseeing music'

Reaction-diffusion systems for algorithmic composition

Lars-Gunnar Bodin (ed.), Music in the year 2002: Where are we, and where do we want to go? Report from an Electro-acoustic Music Conference organised by The Royal Swedish Academy of Music, March 17 & 18, 1995: Report No 16. The Royal Swedish Academy

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Norge -et lydrike, Norway remixed: a sound installation

Project Lovelace: unprecedented opportunities for music education

Thomas Licata (ed.), Electroacoustic Music -Analytical Perspectives. Greenwood Press, Westport, CT 06881, 2002. xviii + 242 pp. ISBN 0-318-31420-9.

The Electronic Music Foundation

Studies in metamusical methods for sound and image composition

PIWeCS: enhancing human/machine agency in an interactive composition system

EDITORIAL

Women and 'Kraakgeluiden': the participation of women improvisers in the Dutch electronic music scene

An aesthetic comparison of rule-based and genetic algorithms for generating melodies

MIDI and communality

Algorithmic composition as a model of creativity

Wounds like flowers opening: a discussion of Hysteria for trombone