ISSN: 0730-7829
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Music Perception Q1 Unclaimed
Music Perception is a journal indexed in SJR in Music with an H index of 69. It has an SJR impact factor of 0,785 and it has a best quartile of Q1. It has an SJR impact factor of 0,785.
Type: Journal
Type of Copyright:
Languages:
Open Access Policy:
Type of publications:
Publication frecuency: -
- €
Inmediate OANPD
Embargoed OA0 €
Non OAMetrics
0,785
SJR Impact factor69
H Index22
Total Docs (Last Year)82
Total Docs (3 years)1372
Total Refs176
Total Cites (3 years)79
Citable Docs (3 years)1.44
Cites/Doc (2 years)62.36
Ref/DocOther journals with similar parameters
Music Theory Spectrum Q1
Musicae Scientiae Q1
Psychology of Music Q1
Journal of Research in Music Education Q1
Journal of Music Therapy Q1
Compare this journals
Aims and Scope
Best articles by citations
A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues
Effects of Musical Tempo and Mode on Arousal, Mood, and Spatial Abilities
Uses of Music in Everyday Life
A Perceptual Model of Pulse Salience and Metrical Accent in Musical Rhythms
Being Together in Time: Musical Experience and the Mirror Neuron System
Rhythmic Auditory Stimulation in Rehabilitation of Movement Disorders: A Review Of Current Research
The Ecology of Entrainment: Foundations of Coordinated Rhythmic Movement
A Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect
Music Cognition and Perceptual Facilitation: A Connectionist Framework
Synchronization of Timing and Motion Among Performing Musicians
A Review of Music and Emotion Studies: Approaches, Emotion Models, and Stimuli
Autism and Pitch Processing: A Precursor for Savant Musical Ability?
Individual Differences in Music Reward Experiences
Expectation in Melody: The Influence of Context and Learning
Stream Segregation and Peripheral Channeling
Who Enjoys Listening to Sad Music and Why?
Listening To Music As A Re-Creative Process: Physiological, Psychological, And Psychoacoustical Correlates Of Chills And Strong Emotions
Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles
Visual Perception of Expressiveness in Musicians' Body Movements
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