Popular Music Q2 Unclaimed
Popular Music is a journal indexed in SJR in Cultural Studies and Music with an H index of 41. It has a price of 1626,56 €. It has an SJR impact factor of 0,176 and it has a best quartile of Q2. It has an SJR impact factor of 0,176.
Type: Journal
Type of Copyright:
Languages:
Open Access Policy: Open Choice
Type of publications:
Publication frecuency: -
1626,56 €
Inmediate OANPD
Embargoed OA0 €
Non OAMetrics
0,176
SJR Impact factor41
H Index14
Total Docs (Last Year)90
Total Docs (3 years)517
Total Refs65
Total Cites (3 years)89
Citable Docs (3 years)0.59
Cites/Doc (2 years)36.93
Ref/DocOther journals with similar parameters
Culture, Theory and Critique Q2
Tourism, Culture and Communication Q2
Milli Folklor Q2
Senses and Society Q2
Etnografia e ricerca qualitativa Q2
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Aims and Scope
Best articles by citations
Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes. By Zoila S. Mendoza. Chicago and London: University of Chicago Press, 2000. 285 pp
View moreGoing down like a song: national identity, global commerce and the Great Canadian Party
View moreRap Music and Street Consciousness. By Cheryl L. Keyes. Urbana and Chicago:
View moreNational music to national redeemer: the consolidation of a 'folk-song' construct in Edwardian England
View moreAnalyzing Popular Music. Edited by Allan Moore. Cambridge: Cambridge University Press, 2003. 280 pp. ISBN 0-521-77120-X
View moreThat's Me in the Spotlight: rock autobiographies
View moreMusic Genres and Corporate Cultures. By Keith Negus. London: Routledge, 1999. 209 pp.
View moreKnow history!: John Lydon, cultural capital and the prog/punk dialectic
View moreContinuum Encyclopedia of Popular Music of the World. Volume I: Media, Industry and Society. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. Continuum, 2003. xxxi+800 pp. ISBN 0-8264-6321-5
View moreContinuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. London: Continuum, 2003. xxx+682 pp. ISBN 0-8264-6322-3
View moreSorry, can't hear you! I'm on a train!' Ringing tones, meanings and the Finnish soundscape
View moreThe Complete Guide to Celtic Music: From the Highland Bagpipe and Riverdance to U2 and Enya. By June Skinner Sawyers. London: Aurum Press, 2000. ix + 318 pp
View moreThe music industry, technology and utopia -an exchange between Marcus Breen and Eamonn Forde
View moreSpeech, Music, Sound. By Theo van Leeuwan. Houndmills and London: MacMillan, 1999. 231 pp.
View moreKilling me softly with his song: an initial investigation into the use of popular music as a tool of oppression
View moreThe Musical Work -Reality or Invention? Edited by Michael Talbot. Liverpool University Press, 2000. vii + 260 pp.
View moreKey Terms in Popular Music and Culture. Edited by Bruce Horner and Thomas Swiss. Malden, MA and Oxford: Blackwell, 1999. x + 260 pp.
View moreLiving the Jazz Life. By W. Royal Stokes. Oxford University Press, 2002. 278 pp. £12.99 (pbk). ISBN 0-19-508108-0 (cloth) 0-19-515249-2 (pbk).
View moreGuide to Andalusian Flamenco. Junta de Andalucia, 2003 [flamenco@ andalucia.org, www.andaluciaflamenco.org]. 233 pp. Duende, a Journey in Search of Flamenco. By Jason Webster. Doubleday, 2003. 292 pp.
View moreOr any art at all?': Frank Zappa meets critical theory
View moreChanson: the French Singer-Songwriter from Aristide Bruant to the Present Day. By Peter Hawkins. Aldershot: Ashgate, 2000. xi + 234 pp
View moreCaught in a trap? Beyond pop theory's 'butch' construction of male Elvis fans
View moreIn Griot Time: An American Guitarist in Mali. By Banning Eyre. Philadelphia: Temple University Press, 2000. xiii + 256 pp.
View moreThe rise of calypso feminism: gender and musical politics in the calypso
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