Default: Popular Music

ISSN: 0261-1430

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Popular Music Q2 Unclaimed

Cambridge University Press United Kingdom
Unfortunately this journal has not been claimed yet. For this reason, some information may be unavailable.

Popular Music is a journal indexed in SJR in Cultural Studies and Music with an H index of 41. It has a price of 1626,56 €. It has an SJR impact factor of 0,176 and it has a best quartile of Q2. It has an SJR impact factor of 0,176.

Type: Journal

Type of Copyright:

Languages:

Open Access Policy: Open Choice

Type of publications:

Publication frecuency: -

Price

1626,56 €

Inmediate OA

NPD

Embargoed OA

0 €

Non OA

Metrics

Popular Music

0,176

SJR Impact factor

41

H Index

14

Total Docs (Last Year)

90

Total Docs (3 years)

517

Total Refs

65

Total Cites (3 years)

89

Citable Docs (3 years)

0.59

Cites/Doc (2 years)

36.93

Ref/Doc

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Best articles by citations

Shaping Society through Dance: Mestizo Ritual Performance in the Peruvian Andes. By Zoila S. Mendoza. Chicago and London: University of Chicago Press, 2000. 285 pp

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Going down like a song: national identity, global commerce and the Great Canadian Party

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Rap Music and Street Consciousness. By Cheryl L. Keyes. Urbana and Chicago:

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National music to national redeemer: the consolidation of a 'folk-song' construct in Edwardian England

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Analyzing Popular Music. Edited by Allan Moore. Cambridge: Cambridge University Press, 2003. 280 pp. ISBN 0-521-77120-X

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That's Me in the Spotlight: rock autobiographies

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Music Genres and Corporate Cultures. By Keith Negus. London: Routledge, 1999. 209 pp.

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Know history!: John Lydon, cultural capital and the prog/punk dialectic

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Continuum Encyclopedia of Popular Music of the World. Volume I: Media, Industry and Society. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. Continuum, 2003. xxxi+800 pp. ISBN 0-8264-6321-5

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Continuum Encyclopedia of Popular Music of the World. Volume II: Performance and Production. Edited by John Shepherd, David Horn, Dave Laing, Paul Oliver and Peter Wicke. London: Continuum, 2003. xxx+682 pp. ISBN 0-8264-6322-3

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Sorry, can't hear you! I'm on a train!' Ringing tones, meanings and the Finnish soundscape

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The Complete Guide to Celtic Music: From the Highland Bagpipe and Riverdance to U2 and Enya. By June Skinner Sawyers. London: Aurum Press, 2000. ix + 318 pp

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The music industry, technology and utopia -an exchange between Marcus Breen and Eamonn Forde

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Speech, Music, Sound. By Theo van Leeuwan. Houndmills and London: MacMillan, 1999. 231 pp.

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Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression

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The Musical Work -Reality or Invention? Edited by Michael Talbot. Liverpool University Press, 2000. vii + 260 pp.

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Key Terms in Popular Music and Culture. Edited by Bruce Horner and Thomas Swiss. Malden, MA and Oxford: Blackwell, 1999. x + 260 pp.

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Living the Jazz Life. By W. Royal Stokes. Oxford University Press, 2002. 278 pp. £12.99 (pbk). ISBN 0-19-508108-0 (cloth) 0-19-515249-2 (pbk).

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Guide to Andalusian Flamenco. Junta de Andalucia, 2003 [flamenco@ andalucia.org, www.andaluciaflamenco.org]. 233 pp. Duende, a Journey in Search of Flamenco. By Jason Webster. Doubleday, 2003. 292 pp.

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Caught in a trap? Beyond pop theory's 'butch' construction of male Elvis fans

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In Griot Time: An American Guitarist in Mali. By Banning Eyre. Philadelphia: Temple University Press, 2000. xiii + 256 pp.

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The rise of calypso feminism: gender and musical politics in the calypso

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