Journal list Promote Sponsor
verified SJR 0,177 · Q1 • database Scopus / SJR & Web of Science indexed
Screen
United Kingdom · Oxford University Press
workspace_premium Q1 — Cultural Studies lock Subscription

Screen

Screen is a journal indexed in SJR in Cultural Studies and Communication with an H index of 34. It has an SJR impact factor of 0,177 and it has a best quartile of Q1. It has an SJR impact factor of 0,177.

ISSN: 0036-9543
Publisher: Oxford University Press
Category: Cultural Studies
Indexation: verifiedScopus / SJR verifiedWeb of Science
open_in_new Portal NPD menu_book Guidelines NPD
schedule CountryOfPapers database fields
SJR Impact Factor trending_up
0,177 Q1
H-index 34
Acceptance rate pie_chart
37%
Source Acceptance_Rate
Time to publication hourglass_top
NPD
Field NPD
Publication cost (APC) payments
NPD Subscription
Non-OA path NPD

Metrics

Scimago and CountryOfPapers database fields

Scopus / SJR Web of Science

SJR Impact

0,177

H-index

34

Docs (year)

33

Docs 3y

96

Total refs

2191

Cites 3y

31

Citable 3y

94

Cites/Doc 2y

0.27

Ref/Doc

66.39

Immediate OA

—

Embargoed OA

NPD

Non OA / Submission

—

shield Researcher voice

Name good journals. Call out predatory ones.

Share what peer review, fees, and timelines were really like. Praise fair editors. Flag APC traps, fake metrics, or spam solicitations — with facts from your submission.

Fair & fast peer review Clear APC / no surprise fees Suspected predatory Fake impact claims
rate_review Write an honest review

Researcher reviews

sentiment_dissatisfied No reviews yet — be the first to share an honest experience.
User
* Only to validate authenticity — identity is not shown publicly.

Best articles by citations

Commonwealth Fund Conference in American History. Hollywood and its Spectators: the Reception of American Films, 1895-1995, University College London, 12-14 February, 1998: I

View more

www.auteur.com?

View more

Film noir and the racial unconscious

View more

Film and System: Terms of Analysis Part I

View more

Feminist theory and women's films at the turn of the century

View more

Edward Buscombe and Roberta E. Pearson eds., Back In The Saddle Again: New Essays on the Western; Stephen Prince, Savage Cinema: Sam Peckinpah and the Rise of Ultraviolent Movies

View more

Distraction and redemption: Kracauer, surrealism and phenomenology

View more

Deviant Imaging: Lesbian/Gay/Queer -- Film,University of Warwick, 23 May 1998

View more

Cultural difference and exchange: a future for European film

View more

Crimes of the future

View more

Crashing Out

View more

Crash and film censorship in the UK

View more
SHOW MORE ARTICLES

Competitiveness policy and economic organization: the case of the British film industry

View more

'Drama' into 'news': strategies of intervention in 'The Wednesday Play'

View more

Colonial Imaging: Early Films from the Netherlands Film Museum. The University of Chicago, 21-22 November 1997

View more

Classic adaptations, modern reinventions: reading the image in the contemporary literary film

View more

Chris Straayer, Deviant Eyes, Deviant Bodies: Sexual Re-Orientations in Film and Video

View more

Boyz Do Cry: screening history's white lies

View more

Automatic lover

View more

Artificial women and male subjectivity in 42nd Street and Bride of Frankenstein

View more

Anal wounds, metallic kisses

View more

Advertising and femininity: the case of Our Mutual Girl

View more

A Sociology of the Cinema: the Audience

View more

A screen of one's own: early cinema in Quebec and the public sphere 1906-28

View more

FAQs